Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Gautham Menon on working with Ilayaraja

Posted by Anantha | Posted in | Posted on Friday, June 22, 2012

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Found this interview of Gautham Menon about Ilayaraja here. Nice to read about how The Legend makes his music, his preferences, his style of working etc. There's something very genuine about this whole conversation...

Naina baan paDi by Nandini Srikar

Posted by Anantha | Posted in | Posted on Wednesday, May 02, 2012

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The song, "Dil mera muft ka..." from Agent Vinod got added to my playlist little late. I must say, much after the Pungi song. "Dil mera muft ka..." has been played in endless loops during my long runs. Though the tune is catchy, it is the singing which I loved the most. On spending little time on net, I found out the singer's name is Nandini Srikar. She is the one who had sung 'Bhare Naina..' from Ra.One. It also led me to some of the non-filmi compositions by this amazingly talented woman. 'Naina baan paDi' is a song composed and sung By Nandini Srikar for her private album Beete Pal which was released in 2011. It is originally written by Meera, which also has a version sung by legendary Asha Bhosle.

For now, check this soulful composition and rendition by Nandini Srikar... Ever since, I listened to this song, I have become a huge fan of hers. Let me know if you like it or not...



PS: Can you believe that 'very Indian sounding' piece of stuff from 3 Mins 29 Secs is actually Electric Guitar..!?!! That's by guitarist Prasanna

PPS: Sunidhi Chauhan, Richa Sharma, Harshdeep Kaur and now Nandini Srikar... not sure how many more such names get added to this list in future. Bring it on Bolly Music, I have kept this list open... :)

An old A R Rahman song

Posted by Anantha | Posted in , | Posted on Monday, December 19, 2011

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Good that I checked my mobile just before starting my car. Basu had messaged to carry my small portable speakers [as I do not have a music system in my car yet]. I went back and got my speakers hoping that it has enough charge to last for few hours during our drive. My friend Basu and me had planned a day's trip to Kolar. More than the destination, both of us actually wanted a nice drive on an open road.

Basu had got his iPod. He connected my speakers to the iPod and asked me what kind of music I wanted to listen, he was all set to be the DJ during the drive. Off late, I have gotten bored of my own selection of music. It's my own predictable set of choices that has bored me! Knowing Basu since little more than a decade, I had total faith in his taste for music, I told him to play anything he liked. He was "mixing" it well with few recent Kannada numbers, some ARR Tamil hits and few Hindi hits. Then he played this Tamil number 'Kannukku Mai Azhagu'. I had never heard it before. He told me it's an ARR number. He told me to guess the singer. Since the song sounded pretty old, my mind started matching the voice with some of ARR's favourite female singers. It wasn't Sadhana Sargam, It wasn't certainly Chitra, It wasn't Kavitha Krishnamoorthy. I am not even sure if Kavitha Krishnamoorthy has sung any Tamil song for ARR. Then Basu said, it is P Susheela. Waaww, that's really a rare combo.

Googling a bit about the song, I got to know the song is from the movie Pudhiya Mugham (1993). The song has a male solo version too by Unni Menon. ARR has used the same tune in the Hindi movie Vishwa Vidhaata (1997). There the song, 'nazaron ke milne se' is sung by Kavitha Krishnamoorthy.




The tune is very very soothing. Those were the days after Roja, when ARR used to use minimalistic musical instruments, used to use all well established singers of music industry. Though the song sounds pretty much like a lullaby, it is a romantic song with very beautiful lyrics. Check out the translation here.

I know I sound pretty old in saying this, I doubt such an amazing tune and lyrics fit into the scheme of things in today's music in movies :-/

Rabba luck barsa!!

Posted by Anantha | Posted in , , | Posted on Tuesday, June 22, 2010

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This is the first time I am mentioning Himesh's name in my blog! Let me confess, I have liked his music in movies like Tere Naam, Humraaz, Run, Namastey London, Kyon Ki.., Aksar, Aashiq Banaya Aapne etc etc until he went overboard with his nasal singing and forayed into acting. Albeit the whole world hates him, but there is some thing about his music and singing that is extremely inflicting and deeply penetrative. Or should I say,  once you hear his music, you can't get rid off it however hard you try. You try harder and harder to forget that one song and those catchy repetitive words, but the song is going to loop infinitely in your mind for days together. The tune displaces your favourite and often hummable song without your knowledge and the song spills out from your mouth involuntarily! Then you suddenly become conscious about if any one around heard you humming Himesh's latest tune. A recent article in Sunday supplement of Deccan Herald rated Himesh's tunes as one of the top guilty pleasures of Indians!!

Remember the title track of the disastrous movie 'Shakalaka Boom Boom'? Yes, I confess again, that irritating tune had run in infinite loop in my mind for days together. Now is the turn of the tune, 'Rabba luck barsa..' from his yet to be released movie 'Kajra Re'. Watch the video and  start singing 'rabba luck barsa... rabba luck luck luck.. rabba luck barsa' :)




Ye maya chesave - it's magical

Posted by Anantha | Posted in , , | Posted on Tuesday, June 08, 2010

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This is my first Telugu film reco for you guys. I was prejudiced that Telugu films are only about mass masala run of the mill movies, but I was wrong. I saw 'Ye maya chesave', the Telugu version of Vinnaithaandi Varuvaayaa. Let me confess that I can understand Telugu in bits and pieces only; I was able to get the complete meaning of the dialogues only when the main characters uttered some lines in English. Forget that, I don't even know exactly does the title mean! I just know, it means some thing similar to 'fascinate me' or some thing of that sort. But there was some thing magical about this movie which surely mesmerized me. Just finished watching it and cudnt resist myself from writing this post.


I wanted to watch this movie badly after reading the review by Hemanth here. A simple 'yes-no-yes' love story is made extremely believable and adorable by Gautam Menon. Hemanth had said, Naga Chaitanya is unlike the other Telugu star sons who are miles ahead when it comes to the screen presence, dancing, stunts and other heroic mannerisms. I totally agree with that. This guy worked for me in this movie, because he does not look like a star! He is 'the perfect' boy next door. He is not great when it comes to acting, but a good director like Gautam Menon can brush his weaker virtues under the carpet. I mean I cudnt think of any hero who could do the role of boy next door so convincingly. Portraying Karthik who is 22 year old mechanical engineer and an aspiring film director - he is not the bravest character who can do any thing for his love, at the same time we get to see his  foolhardy traits play peekaboo throughout the movie. He hides inside his house when heroine's parents come to his parents smelling some fishy things happening between Karthik and their daughter. He sheepishly and helplessly sits in the church when his love is about to get married to another guy. He looks coward in those moments. At the same time, this guy follows the heroine all the way till Alleppey just to say sorry! He is even capable of hitting heroine's brother when you least expect him to do it. Though he is just 1 film old and not a gifted actor, but Naga Chaitanya pulls it off!


Coming to Samantha playing Jessie in the movie, she seems to be better equipped with acting abilities than Naga Chaitanya. Samantha looks pleasant on screen and ravishingly beautiful when she is saree clad! How can a guy's heart not skip a beat when she wears all those green and orange sarees. Samantha is made to speak in husky voice in the entire movie (not sure if her voice is dubbed by some one). The way she checks if any known person is checking them out when she is talking to Karthik or the way she pulls back strands of her hair behind her ear lobe, I simply loved it. I was smitten by this lady! Just not the screen 'pleasance', her character is also carefully etched by Mr Menon. Her reaction to Karthik when he proposes her, her mood swings, her tantrums over his profession is all made to look so natural.

Camera work by Manoj Paramahamsa is awesome. The best scene for me is when Jessie calls off the relationship with Karthik in the night near the compound of their house - the light and the shade playing on the faces of Jessie and Karthik and the hand held camera zooming in and out slowly during their entire conversation is amazing. Add some classic background score bits in this scene by ARR - this is my favorite scene in the movie. Talking about the music, few weeks back I had argued with a colleague that ARR's music is not so great in this movie. I eat my words now after watching this movie. I know ARR's music is slow poison, but this is one of the movies where I have liked music more after watching the movie. The frequent bits of violin and guitar being played in the background in many scenes is so apt, just adds to the mood of the scene. I do not remember any recent Indian movie, where the background music is used so effectively. Kudos to Menon for perceiving this and kudos to ARR for proving his brilliance yet again.

This movie is a refreshing tale about first love... Dont miss it.

PS: Now having seen this Telugu version, I am curious about how Simbu and Trisha would have played these roles in Tamil version. I also want to watch it for the sad ending in Tamil version of the movie.

Pic courtesy here

Gem of a medley

Posted by Anantha | Posted in | Posted on Thursday, March 04, 2010

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The almost forgotten face of the singer Bela in this post of Deepak Iyer, brought me back the memories of my school days. Those were the days.. yes, how can nostalgia be explained without the phrase, 'those were the days'. Those were the days, when TV shows were not riding a tiger named TRP, those were the days when singing shows were taking baby steps, those were the days when (few) singing and (very few) dancing shows were not bitten by the bug named reality, those were the days when judges of those programs were treating each other with respect, naively critical and never harsh on the participants Those were the days when participants never begged for TV audiences' SMS votes standing in front of the camera making faces. Those were the days when the contest winners were neither lured by crores nor by brand new cars. Those were the days when a Final was called a Final and not a Grand Finale. Those were the days when there used to be music and only music in the singing shows unlike today's reality shows which brims with high intensity drama every minute. Those were the days when the singing shows were unadulterated unlike today, where every week a celebrity pair appears in the singing shows to promote their new movie or music. The only purpose of those programs was to entertain the audience with sheer quality music.

Those were the days, when TVS Sa Re Ga Ma was very famous singing show on Zee TV. It was then hosted by the small screen heartthrob, chikna Sonu Nigam, who shot to fame after this TV show. I would not be exaggerating if I say, this TV show taught me to enjoy music. Below is a clipping of ONE OF THE BEST MEDLEYS I HAVE SEEN ON TELEVISION by Jagjit Singh. It was the Mega Final of Sa Re Ga Ma, where there were 10 'mahaan hastis' of music industry to judge the penultimate male and female winner.  Naushad saab, Anil Biswas, Rajkumariji, O P Nayyar, Pt Jasraj, Khayyam Saab, Begum Parveen Sultana, Kalyanji, Anandji and Jagjit Singh himself - were the judges. In the third episode of the Mega Final, Jagjit Singh renders this gem of a medley.




Almost all the finalists sitting around Jagjit Singh are quite big names today. From left to Right are Bela, Sudeshna, Sanjeevini - debuted as lead singer in Kareeb with Chori Chori jab nazre milee, Mohammed Vakil - though he is not much heard of these days, he was and still is my favourite singer, Mukund and Parthiv Gohil - debuted as lead singer in Saawariya in 'Yoon Shabnami' song.

Last but not the least, TVS Sa Re Ga Ma was a brain child of Gajendra Singh, who is now directing Amul Music ka Maha Muqabala in Star TV. But the two shows are incomparably poles apart.. Those were the days... :-/

Best and worst Hindi movies of 2009

Posted by Anantha | Posted in , , , , , , , , , , , , , , | Posted on Friday, January 15, 2010

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In 2009, I have watched 20 movies in theater (to be precise 13 Hindi, 4 Kannada and 3 English). That's more than 1.5 movie per month on an average. That is really a huge amount of time and money I have spent for movies in theater compared to any other year in the past. Though I usually post the reco/review of a movie I have watched, I could not do it for all the good/bad/worse movies I watched in 2009. As the year 2009 has ended, here is my pick of some best and worst movies of the year. I have rated them purely on the basis of how much I liked or hated sitting through those movies, not bothering about their Box Office collections.

Best 5 Hindi movies
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5. Luck by Chance
Dir: Zoya Akthar
* cast: Farhaan Akthar, Konkana Sen Sharma, Rishi Kapoor and a whole bunch of cameos
A classic cover drive to the fence off the first ball by Zoya!
This is a story very very well told about a struggling actor becoming successful in his career. His talent combined with his street-smartness and also luck playing a major role in his success, but in the bargain he loses his girlfriend who had supported him in his tough times. The movie seriously makes us ponder over some of the important questions like, 'what is success?', 'Is is OK to compromise on some values to achieve it?', 'What role does luck play in our lives?', 'Does always a street smart opportunistic guy outsmarts the hardworking guys in the race of life?' etc etc. All this with a mockery of the stereotypes in Bollywood to make you LOL, the movie is a great watch. Though Farhan Akthar gets pretty much predictable with his expressions, but suits best for the role of Vikram (This role landed in Farhan's kitty after most of the Bollywood biggies declined it). Konkana Sen Sharma is just brilliant and I have no second thoughts to say she is the best actress we have in Bollywood today.

Scene to watch out for:
Check out the scene where Isha Shervani tries to seduce Farhan in his hotel room. I call this a sheer act of brilliance by Zoya to think of such a scene where Isha had to be shown with a childish charm but at the same time she had to be portrayed that she is not as dumb as she looks.


4. Dev-D
Dir: Anurag Kashyap
* cast: Abhay Deol, Mahi Gill, Kalki Koechlin
What initially was a storyline proposed by Abhay Deol to Anurag Kashyap about a boy falling in love with a stripper in LA was later groomed into a totally different and very bold version of Devdas, compared to all the other adaptations of Saratchandra Chattopadhyay's novel. Shifting the locale of a Bengali Brahmin, Devdas Mukherjee of 1900s to a spoilt Punjabi brat, Devender Singh Dhillon of the modern times is really commendable. Comprehending to the complex relationship Dev shares with Parminder and Chanda, movie is quite dark and layered and also abstract in many places.

Song to check out:
No... not emosanal atyaachaar, Im tired of it. Listen to 'Payaliya..' sung by one named Shruthi Pathak. I liked her husky voice as much as the song.


3. Kaminey
Dir: Vishal Bharadwaj
* cast: Shahid, Priyanka
I am not really sure if Vishal Bharadwaj has consciously adapated Guy Ritchie or Torantino's style of movie making in Kaminey. But what I am really sure about is, Vishal Bharadwaj is one of the best directors in the industry today.
The story is about twin brothers Guddu, a stutterer and Charlie, a lisp, who would be living their own happy lives in Mumbai with former working in an NGO which fights against AIDS and latter working as a horse race bookie until one day when fate decides to intertwine their lives with a regionalist politician, two police cops, two African drug peddlers, an Indian drug lord and 3 Bengali brothers! Shahid, for me was good in playing both the roles, but was not excellent. Priyanka Chopra was superb as Sweetie. Tenzing Nima as Tashi and Amol Gupte as Bhope Bhau are surprisingly brilliant. The movie has a great music score composed by Vishal Bharadwaj himself.

Dance step to check out for:
In the song Raat ke dhaayi baje, check out Priyanka in typical Maratha bridal green saree doing 'that particular step'. U know what I mean.. :)


2. Wake Up Sid
Dir: Ayan Mukerji
* cast: Ranbir Kapoor, Konkana Sen Sharma
Another promising director forays into Bollywood! The story of a slacker was never told so well before. Yes, we had Lakshya, but I felt Wake Up Sid is way better. A perfect casting of Ranbir as a slacker, Konkana as a strong headed career oriented girl living with her own petty insecurities, Supriya Pathak as a doting mother who tries hard to bond with her son by speaking in faulty English, Anupam Kher as a caring but concerned father - the casting could not have been better. With many of the nuances of human behaviour and relationships well depicted, I liked this movie a lot. A last word on Ranbir, I was surprised to see him slipping into the skin of Sid so well and with such an ease.

Song to check out for:
No doubt 'Iktara..' sung by Kavita Seth is brilliant, but the Punjabi male version of the same song sung by Tochi Raina is utterly soulful.


1. 3 Idiots
Dir: Rajkumar Hirani
* cast: Aamir Khan, Madhavan, Sharman Joshi, Boman Irani
I rate this movie the best of 2009 not because movie is flawless, not because there are no unquestionable scenes but for entertaining me and indulging me into the movie for every minute of it. I think Raju Hirani has mastered the art of preparing a heady concoction for any screenplay - with great concept and a message to convey, with enough twists, some great lump in throat moments, superb humour, some special 'Hirani Tadka' and last but not the least, a consistent 'flow' of the story. 40+ year old Aamir has adapted some mannerisms to slip into the body of an engineering student, but according to me Boman Irani beats Aamir in this area. Boman was exceptional as Dr Asthana in Munnabhai and he matches that performance here as Viru Sahastrabuddhe!

Accent to check out for:
Every word Chatur Ramalingam utters in his Uganda born, Pondicherry brought up accent is hilarious.

The movies that deserve a special mention are: Paa, Gulaal, Love Aaj Kal
The movie that I missed watching: Rocket Singh


After the best, now comes the turn of the worst. Wherein the above movies were the best of 2009, the below are the worst among the 13 Hindi movies I saw. There were many other worst movies that were made to torture the audience, but these are the tortures I went through.

Worst 3 Hindi movies
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3. All The Best
Dir: Rohit Shetty
* cast: Ajay Devgan, Sanjay Dutt, Fardeen Khan
First of all stop calling Rohit Shetty a new master of comedy. Only Golmal was his best (that too was a remake of a Malayalam movie), Golmal Returns was miserable and then All the best is a classic torture. Making a comedy movie is the most difficult thing, watch this movie to see how director and actors fail to make you laugh.


2. Wanted
Dir: Prabhudeva
* cast: Salman Khan and Ayesha Takia
I have said enough about this movie here.


1. London Dreams
Dir: Vipul Shah
* cast: Ajay Devgan, Salman Khan, Asin
Why the hell this movie is so silly!?! Not a single sequence made any sense to me. The so called friendship between Salman and Ajay looks so synthetic, the so called ego clash between them looks funny!, Ajay introducing Salman to drugs and Salman coming out of the habit is hilarious!!, the gem of all this is Asin as a 'dancer' in a Rockband!!!

Love Aaj Kal - not a great work of Imtiaz Ali

Posted by Anantha | Posted in , , , , , , | Posted on Thursday, September 10, 2009

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As evident from the title of the movie, it is an attempt to juxtapose the 'love of yesteryears'(of 60s to be precise) with today's 'modern love'. This is a comparison of the love as an emotion and as an expression and how it has changed during the course of time. There are two story lines of the couples, Veer and Herleen (Saif and debutant Brazilian model Giselli Monteiro) and Jai and Mira (Saif again and Deepika). The love story of Veer and Harleen is simple, cute and innocent and touches the heart. They hardly talk to each other throughout the movie but convey a lot through their silence. Where as in the story of Jai and Mira, they are the perfect representatives of today's Gen-Y (or Z or what ever) world. They love by mind and not by heart (according to Rishi Kapoor who plays the older Veer so adorably), who choose career over love, who throw a party to their friends on their break-up, who are spoilt by choices, who are more 'practical' than their previous generations. Now that's quite a lot of things to tell in the story of just over 2 hours. Though Imtiaz was successful in narrating the story of Veer and Harleen (quite a simple and easy job though), he seems to have lost grip in telling the story of Jai and Mira. The love story of a pair which is torn between the decisions made by head over heart has not come so endearing. The attempt to show the characters of Jai and Mira as confused pair, yet they themselves thinking that they are very firm about their decisions taken in life is not successful.
That does not mean the movie is not good, it is certainly a good movie, but not to the standards set by the same director in his earlier movies like Jab We Met and Socha Na Tha. Love Aaj Kal has it's moments, is funny in parts, is touching in few scenes. As a matter of fact, my favourite scene in the movie is the one in which Harleen brings a cuppa chai hiding behind her dupaTTa to Veer who would have travelled all the way from Delhi to Calcutta just to have a glimpse of her. The other one being Jai just making it to the airport to bid farewell to Mira.
I liked Saif more as Veer than as Jai. Saif seems to have done some homework in bringing across the body language and gesticulations of a Punjabi munda of 60s and it has worked very well. He has done pretty decent job as Jai too. Deepika looks stunning in few scenes. Not sure if I am the only one who is having problems her dialogue delivery. I feel it is some what not perfect, not right. But if we have lived with two left feet of Saif all these years of his acting career, who seems to have no interest in improving his dancing skills, then Deepika is pardonable. Just check Saif struggling to shake his hip in the song 'Twist.. twist'. The credit of managing Giselli Monteiro as Harleen by giving her hardly any dialogues should go to Imtiaz. Rishi Kapoor as older Veer is simply superb. Of all the songs by Pritam, I liked 'Chor Baazaari' sung by Neeraj Sridhar, Sunidhi and 'Aj din..' sung by Rahat Fateh Ali Khan.
Overall, the movie is good, but not great. Love Aaj Kal looks like the best work of any debutant director from Yashraj Banner, the movie seriously lacks the spark of Imtiaz Ali.

Slumdog Millionaire and its rich music

Posted by Anantha | Posted in , , , , , | Posted on Saturday, December 20, 2008

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The dictionary definition of the word ‘chug’ reads as, ‘To move or travel while making dull explosive sounds’.
I no more agree with this definition after I listen to the song ‘O sayaa..’ from Slumdog Millionaire, music scored by The God of music A R Rahman himself.

The movie is quite in news before its release in India because of the Oscar and Golden Globe nominations in four categories. I believe even the audio is not released in India, but thanks to piracy I got to lay my hand on the music of Slumdog Millionaire. BTW, I did not know who Danny Boyle was until I Wiki’d for his bio. After reading which I had to laugh at my own ignorance. It’s the same guy who has directed Trainspotting and The Beach. That adds Slumdog to my must-watch list.

Coming back to the definition of ‘chug’, the other day while I was traveling in train back to home, had a discussion with a friend about the sound of chugging of the train wheels. We were discussing the rhythmic noise it produces. I am amazed to see how ARR has used the same rhythms in ‘O sayaa’ of Slumdog. I think Shivmani and ARR when combined can extract fine quality of music from any noise in the world. ‘O sayaa’ must be picturised on some train sequence in the movie. The song begins with a pacy techno beats and magical voice of ARR complementing it. Then begins the chugging of train wheels. The beats transform to crescendo further. Now chugging of train wheels is accompanied by other orchestration and gets transcended to classy music. By this time I bet you would have started swaying involuntarily. To describe the transition of sound from chugging of train wheels to rhythmic beats, I am falling short of adjectives. So I would settle for the phrase ‘Its so Rahman!!’ Listen to it to experience the sheer genius of ARR.

Not only this, I found many other tracks of Slumdog great. As in one of the interviews Danny Boyle says that he wanted ARR to score ‘something very pulse-y’ for this movie. ARR took 2 months to conceptualize the music and just took 2 weeks to deliver this incredible product. There are also many other pulse-y numbers and classy background scores. I loved ‘Jai ho’ sung by Sukhvinder – the resonant voice of Sukhvinder makes the song even more splendid, ‘Ringa ringa ringa’ sung by Ila Arun and Alka Yagnik – brings back the memories of controversial ‘Choli ke piche’, ‘Gangsta blues’ rapped by Blaaze makes me consider him as a special talent, ‘Paper planes’ by MIA – an original song of MIA herself is used by ARR, also sounds good. ‘Lathika’s theme’, ‘Mausam & Escape’, ‘Riots’, ‘Liquid dance’, ‘Millionaire’ proves the eminence of ARR in the modern era of music. There is also a surprise track in this album, ‘Aaj ki raat’ of Don with some top-up beats by ARR. No wonder ARR won Golden Globe for this album.

Though I have downloaded the music, I am a chor with some usool you see :) So I am planning to buy the Audio CD of this album. Guys, don’t miss to listen to this audio.
I consider Slumdog Millionaire as one of the best works of ARR till date. I hope ARR wins Oscar also for this.

Of late….

Posted by Anantha | Posted in , , , , , , , | Posted on Friday, November 07, 2008

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Its more than a month since I posted any thing in my blog. Not that the life was uneventful, I just did not slip into the groove of writing some thing, that’s it.

The month of October was quite happening. I was on the gap between projects, lemme get it straight, yes I was on bench nearly for 20 days :)

In those on-the-bench-days I was reporting to my office in Koramangala. I had all the free time in the world, I frequently visited Landmark in Forum. I used to sit and skim through some of my favorite and latest releases. I read few pages of ‘Go kiss the world’. I remember, I started admiring Subroto Bagchi from the days his columns use to appear in TOI [I think his column used to feature fortnightly on the business page]. I think I should buy this book. Picked up ‘Three mistakes pf my life ‘, but some how it did not inspire me to finish it. I loved Chetan Bhagath in ‘Five point some one’, loved him less in ‘One night..’ now I have become very skeptical about loving him in ‘3 mistakes..’. BTW, currently Im reading ‘PS: I love you’ by Cecelia Ahen. Again my instincts told me to pick this book. But after reading it for 300 pages, Im finding it boring. The theme of the book is fresh and inspiring, but the events that happen with the characters in novel look very repetitive. Lemme see if I can complete it or not. There is book festival starting in Palace grounds, Im planning to go there this weekend.

In the 1st week of Oct during Dasara, there was a music concert by Shaan, sponsored by a private builder in Palace Grounds. I had been to the concert with a huge gang of buddies. It turned out to be amazing fun. There was also this Mandira Bedi and Samir Soni’s play ‘Any thing but love’ being staged as part of Times festival, but I came to know about it on the same day and did not get passes for it.

Of late, did not get to watch any good movies. I watched Ru-ba-ru for the sake of Shahana Goswami [she is my recent celeb crush ;)]. The idea of the movie was fresh, but ultimately seemed like a failed attempt.

Felt bad to hear Kumble hanging up his boots. He is one of the most committed cricketer I have seen. And a great gentleman too. Dada also retiring after this last Test in Nagpur. I loved Dada for his aggressive histrionics as a captain and as a player too. Who can forget the gentle strokes on off side and his straight sixes over the head of the bowler. The BCCI buffoons seem to be targeting another favorite player of mine, Dravid. Its disheartening to see Dravid failing continuously in this Test series. BTW, check this splendid article by Dravid about VVS on latter’s 100 Tests feat. Both these great players seem to share a nice camaraderie, which is evident from the article. If these great guys are bidding adieu to cricket in the next 1-2 years (forced exit or wishful exit), there will certainly be a void created in what is considered to be the strongest batting line up in world cricket.

Now having been allotted to a project in the last month, I have landed into a whole new milieu, a whole new project with whole new faces. Now the most interesting part is I have been traveling by train to my office!!!! No Im not posted in Mumbai, Im very much in our own namma Bengalooru. Till I start to avail the company provided transport, I am going on my own. I traveled by BMTC for first few days, but every time I got stuck in traffic jams or did not get a seat to rest my ass or every time a manner-less co-passenger stamped my foot, my blood used to boil. And some one suggested the idea of train from/to KR Puram from/to Majestic. I have the luxury of choosing this option, as my current office is close to KR Puram. I have been saving nearly one and a half hour of travel time since then. Even you guys can try out train if your office is in Whitefield / KR Puram or any where near these places. Im not saying this option is better than company provided transport, this has its own woes, but still a lot better than traveling by BMTC.

Ummm.. what else..? that’s all I could think of @ this hour in the night… bye… chau..

cafe masala

Posted by Anantha | Posted in , | Posted on Sunday, August 17, 2008

9

Hemanth was wriggling his bike past the other vehicles in the traffic. I was the pillion. My phone rang. That was the 3rd time Sri was calling me in last 20 minutes. She asked me, “Where are u guys?” This time she was angry. I chose an appropriate lie from the template I usually carry, “We are in the Brigade road signal”. We were actually some where near Rajbhavan. “K.. come soon..”, she cut the phone. We reached Brigade Rd signal five minutes later. While waiting for the traffic signal to turn green, a chick in frilled white skirt crossed the road in front of our bike. I told Hemanth, “I wish it was windy today” and grinned. Understanding the gross intention behind my dialogue Hemanth laughed. I imagined a ‘Marilyn Monroe act’ by that chick in the middle of the road. I bet Hemanth was also thinking about the same. We guys know how kameena our brain is. But I get angry when any female comments, “you guy are mean”. The word mean makes me angry, I prefer kameene :) If you gals have just coined the word ‘kaMEANe’, No I hate that word too. The signal turned green and our bike cleared the last hurdle to reach our destination, Eva Mall.

We reached Eva Mall. I got down from the bike. Hemanth told me to face the music first and drove to basement to park the bike. My phone rang for the 4th time. “this is too much…”, this time it was Rakhi speaking. Before I could reply, I saw Rakhi and Sri waiting near the entrance of the Mall. I said, “we have reached, I can see u gals..”. I could listen Rakhi saying, “at last.. they have come” to Sri before I cut the phone. I strode towards them. Both of their faces were angry red. I think this angry red shade is inimitable by any artificial coloring agents. The shade can be seen only on the cheeks and the nose tip of the females whom you have made to wait for an hour for the dinner. I greeted them and blamed on the traffic for reaching late. Though every one curses Bangalore traffic, but it surely has rescued all the late comers/goers like us. Seeing an Archie’s gift wrap in my hand Sri’s angry red face shed its inimitable shade and returned to the usual fairness. The very sight of her BDay gift had pacified her. It was for Sri’s BDay treat we four had gathered for. Café Masala in Eva Mall was her own choice; we guys had no problems with any hotel in Bangalore as far as we are getting a free meal. Hemanth appeared making ‘we are really really really sorry’ face. Sri patted hard on his back in acknowledgment. Rakhi said “you guys are so late I think the reserved table would have been given away to others by this time”. This time I genuinely felt sorry for the girls for the effort they have put in to come early and book a table.

Sri was enquiring the receptionist for the booked table. A suit clad guy escorted us to the table reserved for us. It was a table for four. Sri and Rakhi sat next to each other, leaving Hemanth and me no option to choose but to sit next to each other. The very next moment I felt the place was just nice for both of us guys, as we got to face the people in that room, where Rakhi and Sri were facing the boring wall hanging behind me. My eyes took no time scanning all the beautiful females in that room and shortlisted few of them for the further scrutiny.

starters
As decided before only, we chose to go with buffet for dinner. My eyes were planted on a female on the diagonally opposite table. That was a gang of 6 adults and 2 kids. The female I was looking at must be wife of one of the three morons there. I believe any guy however intelligent looking he is, who accompanies a beautiful female becomes a moron for the other men in that premise. This could be called as one of the postulates in the huge book called Letch Sutra which I am penning. Hemanth and I are no survivors of this rule, as we became 2 morons with 2 nice looking females for other men in that hotel.

Ok.. the starters started descending on our table. We were waiting for it with our sleeves folded. Hemanth felt it wudnt be too nice to make Sri wait for her BDay gift till the end of the dinner. He handed over the gift to Sri. Sri said thanks to both of us with a 10 inch wide Julia Roberts smile. I told her to unwrap it and see the gift. As if she cared to wait for my consent, she had already started unwrapping the gift. Most of the females I know unwrap the gift similar way, they do it with so much of care not hurting even a single piece of cellophane used to wrap it. Unlike we boys who love tearing any paper given to us. The gift was a soft toy, a puppy peeping out of its dog house. The roof of the house was pink in color and Sri lovvved it. She re-iterated, “Thank you so much guys”, with a 10 and a half inch Julia Roberts smile this time. We started belting the buffet.

Hemanth was teasing Sri for her weight issues, Sri in return was pulling Hemanth’s leg for his lazy looks. Rakhi was laughing for and against the three of us. Sri was also giving a fair share to my canine teeth and receding hair line. Though my canine teeth are not the things I am very proud of but my receding hairline has never been a concern for me. My mother and my sis worry about it a lot. Chhmnn.. I forgot to update you on the beautiful female in the next table. How rightly some one has quoted, ‘all the desirable things on earth are either illegal, banned, expensive or married to someone else’. In between our conversations I made it a point to check her out. Every time our eyes met, My heart got a mild electric shock. She looked the most beautiful when she was sipping the soup from the edge of the spoon. The strands of her hair slid down to taste the soup in her spoon. She displayed the slightest discomfort and quickly grabbed and restricted them behind the lobes of her left ear. I felt she flaunted her left cheek to me. This time my heart failed almost. Aloo tikki in my plate appeared like pacemakers to me for a moment.

main course
We were done with the starters that were served to the table. That means we had to walk to the place where food was kept for buffet. That also means, that opens the door of opportunity for Hemanth and me to check out some more females on our way to the food and back to our table. We did it no different. I got to see the face behind that English music that was being played all this time. It was actually a talented singer, who was singing all this time, which I actually had thought was a tape that was being played. All I could say about his singing was it was melodious but I did not understand it. I cant distinguish the genres Jazz, Blue, Reggae.. et al. According to me there are only two genres of English music. The music I like and the one the one which I don’t. So this talented guy was playing the former.

I stuffed my plate with all the varieties of food that was there and returned to the table. While returning I got to check out another female in deep necked black dress flaunting her not-so-nice cleavage to all the men in the room. In my early teenage days I had this weird perception that all females would have perfect cleavages. May be I had developed this prejudice after seeing some Hollywood actresses. As I grew up, the facts and ‘FIGURES’ ‘BUST’ed this myth. Hemanth and Sri followed me to the table with full plates. I think Rakhi was still surveying the variety of food there. I occupied my seat. Hemanth insisted on swapping his seat with Sri’s. Sri sat next to me. May be Hemanth was interested in sitting next to Rakhi or may be he was uncomfortable sitting next to a guy u see. That’s quite normal. Rather those kinda abnormal instincts are not yet considered normal in India. Rakhi came and sat in her place. One pokari kid of my diagonally opposite table looked least interested in food and was running around the table. He was whirling a woolen hood (kinda) in one hand. Once it slipped out of his hand and hit Hemanth’s back. Thank God it did not fall in any of our plates. Sri felt amused but Im sure Hemanth must have felt like folding that kid in his woolen hood and throwing him away. Hemanth hates all kids. I too hate kids when they act unruly. All kids act unruly all the time.

delicious desserts
Sri started taking all our snaps. Sri took the snap while Rakhi had spoon in her mouth, took snap while Hemanth was cleaning his lips with the napkin. Forget how she took my photo. I look bad in all the poses. So it did not really matter for me. We started the final round of course, the delicious desserts. I again made sure each variety of desserts has occupied a fair share on my plate. After getting it to the table, I glanced all the other plates to check if I have missed out any thing. Sri said, “basundi is yummy”. Shaks.. I missed out taking basundi. Sri told me to taste it from her porcelain bowl. I tasted and said I will take a full bowl in the next round of desserts. Sri exclaimed, “you wanna go for another round…?!?! there is still space in your stomach..?” I said, “my digestive organs stretch or shrink depending on the price of the buffet” All grinned hearing my comment.

We decided to leave the table only after I finished my second round of desserts. I bore an expression of killing 100 enemy soldiers in the battlefield. Sri paid the bill. All 4 us walked out of the hotel. My eyes were still hunting for the babes around. Bingo!! There I saw 3 RED HOTT babes waiting in the lounge. They bore Arab/Iranian looks. All were blondes. One of them had her eye brow pierced. Sri and Rakhi insisted on using the stairs to go down. I had no problems with walking but missed the sight of those 3 HOTT babes.

I said aloud what I was thinking, “those must be some exotic dancers”. Others nodded in agreement. I continued, “I believe they will be paid only 3 to 4k per performance”. I could see disagreement on Rakhi’s face. She was about to give the right compensation details of exotic dancers, but Hemanth quipped, “Oohhh 3 to 4k per PERFORMANCE is it..?” and winked @ me. He stressed the word performance. I giggled and said, “I was talking about dance..” and laughed. Sri caught the ‘mean-ing’ of ‘performance’ this time. She said, “thooo u guys are always like this”, looking at Hemanth n me as some lower forms of life.

We came to the entrance of the Mall. Hemanth and Rakhi went to the parking lot in the basement for getting their respective vehicles. By that time, the same 3 babes appeared in the coffee shop. They did not seem interested in spending lot of time there. Two of them came out of the coffee shop. The third one was buying some frappe (kinda) inside the shop. All the three were wearing short white tops and skin tight jeans. The waist line of the jeans and the short white tops seemed like lovers who have fought for some silly reason; both just did not wanna meet each other. Leaving me no option but to stare at the fair skin exposed to the cold air of the night. Sri noticed me letching, she said “Ananth.. Stop it.. ur acting too cheap today”, she was slightly angry. I smiled sheepishly. By then Rakhi and Hemanth drove their two wheelers to the place where we were standing. Rakhi looked like a fat Eskimo in her heavy jacket, Sri wrapped herself in stole and sat behind Rakhi. I again became pillion for Hemanth. We all thanked Sri for the nice treat. Rakhi n Sri disappeared in the traffic, I asked Hemanth to drop me till the door as it was already close to 11 in the night.

Mussanje maatu; an average entertainer

Posted by Anantha | Posted in , , , , , , , | Posted on Monday, June 09, 2008

3


Dir: Mahesh
Cast: Sudeep, Ramya
Music: V Sridhar

First of all, the reasons why I wanted to see this movie – The posters of the movie seemed interesting, The director was a debutant, Sudeep was donning an interesting look, Music was superb and last but not the least – my intuition said its gonna be an interesting movie. Hence I went to see Mussanje Maatu.

Pradeep played by Sudeep is an RJ, a happy go lucky person, meets depressed Tanu [Ramya] in a train from HubLi to Bangalore. Pradeep hesitantly inquires the reason for her depression, but does not get an answer from Tanu. And predictably by the time Pradeep alights in his destination, Tanu would have left. Pradeep keeps searching for the interesting girl he had met in train. Along side, the screen play gives an elaborate introduction of Pradeep’s job profile. He consoles, suggests solutions and fills hope in the lives of depressed callers in his show Mussanje maatu. Thus he is quite an integral part of many lives of radio listeners in the city. As the viewer was given a glimpse of Tanu’s depression, she also gets to dial in to the show hosted by Pradeep. Then they get to meet up, talk, shop together, roam together and what else… Pradeep falls in love with Tanu. If you are a regular watcher of commercial movies of South Indian languages and is used to the little predictable twists here and there and a happy ending, you can never go wrong in guessing the rest of the story.


Talking about the different technical departments of the movie, debutant director seems to have chosen a safe script and is heavily influenced by the usual masala in the movies. His talent needs to be assessed when he comes up with a more creative attempt. Sudeep is refreshing with his hip new look suiting his profession, looks ultra slim too. Sudeep impresses with his mannerisms and dialogue delivery, but his-both-hands-always-in-pocket-style looks repetitive. About Ramya, she has gone past the mark of chubby and looks plump; she has to think seriously about reducing. I did not find her acting special in the movie. Rest of the cast has nothing much to do. I seriously don’t understand why Anu Prabhakar accepted the role of Ramy’s friend, she has no special role to play in the story.


What disappointed me was so-so cinematography, less effective dialogues and below average art direction. Not to blame the cinematographer [Sundernath Suvarna] completely for his work, may be viewers' expectation has increased seeing other cinematographer's works post release of Mungaru Male, GaalipaTa etc. Though the scenic beauty had nothing to play special in the movie, but it is sad to say there was not a single scene in the movie which made me say the camera work was ‘waaaww’. Oh did I forget to mention there are lot of scenes in the movie shot in and around Sankey park..


Any love story keeps open the gates for plausibly effective dialogues, but this movie had no such dialogues. About the art direction, it disappointed me in the very first scene. Viewers needed no extra effort to notice the yellow cloth (!!) bearing the name HubLi, which was pasted poorly on the actual name board of which ever town they shot that very first train station scene in.


Now what impressed me most is the music of the movie. ‘ninna noDalentho’, sung by Sonu and Shreya is another gem of a romantic number, ‘kaddaLu mansanna’, sung by Kunal Ganjawala is simply superb and rest of the songs are also very pleasant. Thumbs up to new music dir, V Sridhar for his commendable debut.


All in all, an average movie..

PS: pic courtesy oneindia.in

Sandalwood vs Bollywood

Posted by Anantha | Posted in , , | Posted on Wednesday, April 30, 2008

7

My friend Suksy posted this article in his blog recently. After reading which I started composing a comment, but the comment evolved into a post, which I am posting it here.

Suksy discusses about Kannada cinema, its quality and does a fairly good comparison with Bollywood. Suksy takes on the period of Kannada cinema from ‘Om’ till date. I also would like to comment on the same period as I have grown watching these movies. Analyzing the quality of Kannada cinema and commenting on it from the time 'Om' was released is actually a Herculean task. No critic would do proper justice in this job, 4get about movie enthusiasts like me. But, still I am making an attempt at it.

Suksy makes some of the very valid and some arguably valid comments in his post. Let me pick few of them and discuss. I prefer you guys to read his post and then come back here.

Suksy says, "Is it because we do not have good story writers? or is it because we do not bother about the social message that the film should portray? I'd rather think it is more because of the latter."

Let me not boast we have the best of story writers who could compete in the arena of world cinema. But there is also a possibility that not all movie makers have an eye for good story. Most people think of making a movie that goes with the current trend. Whether its ‘machu’ or ‘maLe’. Hence a good story remains on paper for eternity.

Suksy: "Personally, I feel that Mungaaru Male did not have a good story, but it was okayish for time pass"

I object my Lord! :) No I am not going to defend saying that MM had an amazing story. My point here is quite different. I would like to say, movie is mostly about narration and not entirely about the story. Even if u have a simple story or a story that has been told zillion times before, don bother unless the director is touching the hearts of audience through his narration.

And on comparing Bollywood and Sandalwood, first of all we should admit that the sensibilities of the audiences are different. When I mean sensibilities, I dont mean I would like to judge who is more sensible, I just mean the sensibilities which are influenced by geographical locations, customs and other myriad of factors are different.

I agree with Suksy’s point that Hindi cinema has a wider 'reach' when compared to regional cinema. I partly believe that could be one of the factors for Hindi movies to incur less loss or make more profit. But I also believe in 'NOT ALL HIT CINEMA IS GOOD CINEMA'. Therefore its not right to call a film industry to be more successful just because it produces 100 hit movies every year. I would call Dhoom-2 a trash, no matter how much of profit it made.

Suksy: "(Bollywood) films are not so cheap imitations of any other regional language movie or from a Hollywood movie"

Bollywood is not a land of only original ideas, 'Bheja fry' is a rip off of a French movie called Dinner game. 'Hey Baby' is ripped off from 3 men and a baby, 'Shourya' is a desi version of A few good men, and recently 'Krazzy 4' from The Dream Team, where as 'u me aur hum' from The Notebook. These are just few examples of how 'original' Bollywood script writers have been in recent past.

Suksy: "(Bollywood) actors know to ACT!"
What about Arjun Rampal, Katrina Kaif, Emraan Hashmi..

Suksy: "The violence is not glorified and there are a lot of other emotions in the movie which get glorified putting the violence aside."
I quite agree, there is more bloodshed in regional cinema than in Hindi

Suksy: "There are many radical directors like Madhur Bhandarkar, Ram Gopal Verma etc who think out of the box."
Yes. I personally regret we people dont have an answer when it comes to MB and RGV.

Talking about comedy movies, if most of Kannada comedies are gross [i never like Sadhu kokila, doDDaNNa, tennis KrishNa comedies], Most of the recent Bollywood comedies are mindless. I just cant bear Priyadarshan kinda comedies. The new addition to the list being Anees Bazmee. 'Welcome' is such a mindless crap. If Hindi cinema has to get wiser in comedy movies, Kannada movies seriously lack sanity in comedy movies.

Lemme raise another point. One thing that Bollywood easily beats Sandalwood is in the case of 'style'. The style of the movies which is a direct reflection of the bucks spent on making the movie is a serious limitation for a regional film industry like Kannada, having a limited market. But Bollywood movie makers are following a dangerous trend of making stylish movies which seriously lack substance. The flashy trailers look good only for trailers, but when it comes to hold the movie goer for 3 hrs, style wont suffice, u need substance for it.

Another thing about Hindi cinema is about the good looking actors/actresses. They are much ahead in when it comes to host six pack abs or voluptuous figures, when compared to Sandalwood.

How is it possible not to mention about music.. Bollywood has a long list of talented music directors giving some amazing tracks for each of their movie. But Sandalwood is not far behind. There has been a great leap in the quality of music in Sandalwood in the recent past.

The debate might go endlessly, but keeping our pride for Sandalwood aside we must admit Bollywood scores better as a whole. Sandalwood needs to gear-up..

madhuvana karedare...

Posted by Anantha | Posted in , , , , | Posted on Monday, March 17, 2008

30

Yes! Very few songs have it in them. Enthralling tune, naive lyrics, flawless singing and the fourth and the most important quality being the right blend of all the above! The song I've been addicted to from past few days has all these qualities. I've few complaints on the singing dept though.

The song im talking about is ‘madhuvana karedare, tanumana seLedare’ from the movie Inti ninna preetiya. I actually sat down to pen the review of this movie, but ended up writing how this particular song has encroached my brain and heart from past few days. If you are a keen follower of Kan film music or if you get to listen to any FM channels, there is no chance that you have not heard the other two popular tracks, ‘ondondu bachchiTTa maathu’ and ‘hoo kanasa jokali’ from INP. I have not heard madhuvana karedare being played in radio.

Madhuvana karedare is penned by Kannada poet, short story writer and renowned lyricist Jayant KaikiNi and composed by Sadhu Kokila. If you have raised your brows after listening to Sadhu kokila’s name, I would like to say this music director is always underrated. His CV has some great tracks guys..

Mentioning about the amazing lyrics of Madhuvana karedare, Jayant kaikiNi has been a revelation since Mungaru Male. He has introduced a different genre to Kan music industry. I would like to rate this song as THE BEST among all his songs till date. Apart from the rich fragrance of Kannnada literature another quality I like about Jayant KaikiNi’s songs is unpredictability. Most of the lyricists are so so damn predictable, that listener can almost guess every alternative line of the song that is forcibly brought in for the sake of praasa [I mean rhyme]. But Jayant begs to differ there, Madhuvana karedare is the best example for how a lyricist can surprise with unpredictable lines still adhering to the frame of praasa.

This song has two different versions sung by singers Vani and Chinmayi. I believe both are new playback singers [pardon me if im wrong]. I have to admit both singers have not sung it great! I donno whether it’s the problem of the range that’s required by the song or what so ever. Being an illiterate in music, I can only comment on the basis of what my ears feel. I would have loved to listen to this song in the voice of Shreya Ghosal or my favourite Chitra I know all the songs of INP are sung by Kannada singers and it’s a deliberate attempt otherwise its quite common to hear Shreya Ghosal / Udit Narayan / Sonu Nigam or Kuna Ganjawala in every music album these days. If the director Suri or composer Sadhu Kokila were very particular about a Kannada voice, then even Sangeetha KaTTi would have been the right choice and voice for this song.

Lemme tell you one more thing, this song mostly resembles like ‘main jahan rahoo’ sung impeccably by Rahat Fateh Ali Khan from the movie Namaste London,. I still don wanna call it a copy, I just say Sadhu Kokila has derived the ‘inspiration’ from there :)

Ok.. enuf said about the song, now listen to it and get mesmerized.

Jab we met is 'mauja hi mauja'

Posted by Anantha | Posted in , , , , , | Posted on Tuesday, November 13, 2007

4

It was purely Imtiaz Ali, the director of the movie who drew me to watch this one. I was impressed by his first movie, Socha Na Tha. That was simply marvelous.

Had this notion about the plot of the movie, like strangers meeting during a journey and then falling in love and then marrying against the wishes of each others family and then living happily ever after. Though this might seem like already-told-1000-times bollywood potboiler plot, again I repeat it was my expectation pinned on the director that added Jab We Met to my must-watch list.


Jab We Met is the story of a foolhardy, innocent Punjabi girl Geet who wants to live life on her own terms and our hero, Aditya (Shahid) is the only son of a business tycoon whom Geet meets during a train journey.


Story takes the expected twist when both miss the train in one of the stations. Geet blames Aditya for missing the train and almost orders him to leave her to her actual destination, Bhatinda. This gives enough time and space for both to fall in love with each other. Its the situational comedy intelligently woven in the script and the simply silly Geet that keeps you engaged till the interval. Not to forget decently complementing Shahid for all those nice acts by Kareena. Let me tell more about Kareena later.


Having narrated the first half of the story nicely, I feared for the highly predictable second half to go in typical bollywood ishtyle. But Imtiaz intelligently avoids all the clichés of bollywood and saves Jab We Met from being just another average Hindi film. Kudos to filmmaker.


Thank God dis movie doesn’t have a duet between Geet and Anshuman [Geet’s boyfriend, played by Tarun Arora], Geet's family doesn’t play antakshari here, chintu-bantus of Geet's family don’t act as messengers between hero n heroine. Thank God these kiddos don’t even act as love gurus. These things make the movie jhara haTke.


Dialogues sprinkled with humor, fabulous music scored by Preetam. Guys you might have listened to ‘Ye ishq hai’, ‘tum se hi’ and ‘mauja hi mauja’ but do not ignore ‘aao ge jab tum’, soul stirringly sung by Ustaad Rashid Khan, Its an awesome song. That’s my favorite too.


I would call it as one of the best performances of Shahid and there is lovely Kareena. Let me make one point clear that Im not a fan of Kareena, rather I’ve loved to hate her for her roles in movies like K3G, Yaadein and Mujhe Kuchch Kehna Hain. But Geet is so so so adorable, that by the time the movie ends, any guy would have started loving Geet madly and in turn would have ended up started liking Kareena!!


Watch it guys, don miss it. Watch at least for the sake of sheer pleasure of watching Kareena in her best role till date.

Cheeni Kum is actually very sweet

Posted by Anantha | Posted in , , , , | Posted on Monday, June 11, 2007

7

Budhdhadev Gupta is the owner of one of the finest authentic Indian restaurants in London. He is 64, still a bachelor. His say is that he did not find any interesting female to marry till date. He is a perfectionist when it comes to cooking and serving the best Indian food to his customers. He also considers chefs are best artists in the world. No.. don’t question it or object it. When Budhdha can taste Zafrani Pulav and can tell us the quantity of all the ingredients in precision of grams, we just have to accept chefs are indeed great artists or should I say great chefs are indeed great artists. Budhdha seems to have no great bonding with any one except his aged mother and a kid next door who is fighting blood cancer.

One fine day a mistake of cheeni for namak by one of Budhdha’s chefs makes Budhdha to confront a beautiful customer of his. That’s Nina [Tabu], a spinster from Delhi who is currently staying in London. I swear I did not get the purpose of her stay in London. Budhdha challenges Nina that Zafrani Pulav available in his restaurant is the best, without knowing the cheeni for namak mistake by his chef. The next day Nina returns with tasty Zafrani Pulav. Budhdha finds out the mistake from his chef and decides to apologize to Nina. What begins with a cup of coffee for asking apology slowly and steadily builds up as a strong bond between Buddha and Nina. Budhdha surpasses the usual emotions like jealousy for another male talking to his woman, the initial jitters in man woman relationship.. etc etc I loved Amitabh doing all this so convincingly.

Bhalki, director deserves a great amount of credit for depicting the romance between Budhdha and Nina delicate yet elegant and surely not frivolous. There is always great amount of risk involved in narrating the romance between old man and a young man or vice versa. I have even watched few movies which fail miserably in depicting this kind of relationship. Either they look silly or unreal. But that is not the case here in Cheeni Kum. Another great thing about the characterizations of both Budhdha and Nina is that both being so sure about their unusual relationships and being so sure even about getting married to each other. It feels nice to see two souls being so sure in love! Does it come by maturity..? I liked the banteringly romantic conversation between Amitabh and Tabu throughout the movie.

Paresh Rawal is good as Tabu’s father. Amitabh is marvelous as Budhdha. I do not think anybody else could do Budhdha’s role so convincingly in the whole of Indian film industry. Tabu looks gorgeous in salwars. I liked her performance in this movie more than in Chandni Bar or Astitva. Though I liked the kid-next-door, I did not quite like her characterization in the movie. I want to repeat Rajeev Masand’s say on this. “I love kids being kids, but not acting like matured adults”. Ilaiyaraja’s music is truly awesome. Feels heavenly to listen to ‘Jane do na’ in Shreya Ghosal’s voice.

At last I beg to differ with the title of the movie. Cheeni Kum is actually very very sweet :)

rozaana jiye rozaana mare

Posted by Anantha | Posted in , , , , | Posted on Thursday, March 15, 2007

2

A fine art always finds its audience. Nishabd is one such fine art by RGV! If you feel I am exaggerating, No I am not! I am just giving the credit the movie deserves.

Vijay [Amitabh], a passionate photographer living in a house amidst his lush green estate with his wife Amritha and daughter Ritu.

RGV introduces Vijay to us by few naive conversations, as mentioned below:

Vijay confesses while narrating his story, "...its the insecurity that haunts a human being at this age.. insecurity of growing old... insecurity of nearing to death... a reality no body wants to face.. and when I am at this juncture of my life, Jiah enters into my life.. giving me the hope of reliving my youth.. I just found solace in her proximity...”


And in another scene, Jiah asks Vijay: "its how long have you been married to Amritha?"
Vijay: "27 years.."

Jiah: "27 years!!!!", exclaims. " .. So how is it..?"
Vijay: "what..?"

Jiah: "ur married life..."
Vijay: "hmmmm.... no complaints..."

Jiah: "i thought you would say, great"
Vijay: hesitantly justifying himself, "yeah... no complaints means... means… it was great"

Jiah:"u love ur wife..?"
Vijay pauses for long and nods his head, "hmm.... yeah"

Jiah: "why did u take so much of time to say that.."
Vijay just smiles feeling he is exposed... searches for words to defend the cause of that pause...


Let me make it clear that there would not be any trail of infidelity between Vijay and Amritha. But its just that as any other relationships on earth, theirs would be going mundane... without any attempts by both of them to revive it. Then enters the fountain of youth - Jiah, a friend of Ritu who comes to spend her holidays in Vijay's house. Bringing a new hope into Vijay’s life. Who admires his photography.. who ridicules him with her PJs. I liked the personality of Jiah, for which I again should admire the script writer and the director himself. She is dusky, bold, unpredictable, young... her thick dark brows.. the long untied hair, tousled always... the way she gyrates in her 'short shorts'! I feel Jiah had everything that would attract Vijay. And guys, if you are expecting a physical relationship between Jiah and Vijay, No ur wrong. These kinds of relationships need not get physical always. All you find in the whole movie is a peck on the lips of Amitabh by Jiah. The rest is all just clean cheerful and playful acts between them. And if you are wondering then what exactly are both of them expecting out of this relationship.. Its a mere nothing.. Its just the moments they spent together.. the cheer that brought to both of their lives..

I stronlgy agree such relationships are just too impossible to be tagged by a name. Those relationships just exist and when it gets exposed to the Hippocratic society, it just chokes everybody's lives, including the lives associated with these 2 chaps. Thats what happens
here in Vijay's case also. No body understands his emotions towards Jiah. But it would be presumptuous to express his feelings for Jiah to his wife, his teenage daughter. But Vijay does it... knowing his life would become hell after revealing this dirty secret to his family members.


They just force Jiah to leave their house and punish Vijay by abandoning him. Vijay just wants to live rest his life in Jiah's memory. I do not feel there could have been a better climax than this. Jiah's exit is as unpredictable and swift as her entry. She just leaves his house leaving loads of memory fuelling Vijay to survive, if not to live; in her absence. What better way to say she was that cool fresh breeze in his life...

Some creeds of people have objected the storyline, saying it is against Indian values. But I just say, ‘Indian values’ is too heavy a term used to protest against such a movie. This is just a movie about an unconventional emotion narrated in a convincing fashion. Its just a dirty secret any aged man would want to dig deep in his heart, Its that secret any blue eyed teenage girl would never ever would reveal to her parents... Let’s just accept it the way it is...

4got to mention, Amitabh is superb as Vijay, Jiah is too perfect playing Jiah and hats off to RGV. I even liked the treatment RGV gives to whole of the movie... majorly gloomy yet green...